Through The Spectrum - Athr Gallery - Saudi Arabia

 

ELEMENTS, 2018 by Anne Senstad. An immersive light sculpture installation as part of the exhibition Through the Spectrum at ATHR Gallery, Jeddah, Saudi Arabia. May 28 - August 31, 2018. The exhibition includes Anne Senstad, Robert Irwin, James Turrell, Carlos Cruz-Diez, Nasser Al-Salem and Timo Nasseri. Curated by Mohammed Hafiz and Afia Bin Taleb. The exhibition is a collaboration between Athr Gallery, Pace Gallery and Cruz-Diez Foundation.

On ELEMENTS by Anne Senstad

It has been found again.

What? – Eternity

It is the Sea fled away 

with the Sun

 Arthur Rimbaud, 1872

The Sound of MA, is identified by the Sound of an Indestructible Moment of Silencecontained by a space equipped with vertical topology.

C.C. Hennix, 1978

ELEMENTS is experential and immersive, sculpturally informed, - an installation of light, color, perception, ideas of sound and spatial phenomena. An amalgamation of sensations. All sensorial elements have scientific and experiential similarities, yet differ in nature in how they inhabit space and how they are experienced. The natural world can be perceived through scientific systems of frequencies, wavelengths and temperatures that are sensed by the eye, ear, brain, nerves, intellect and emotions. Colors are cold, warm, dark, light, euphoric, symbolic, representational – a mental, emotional and sensual language, where light, color and sound exist as implementing our system on infinite levels, potentially unknown levels. Sound exists as complex music, visual and narrative sound, in environmentally inhabited and charged spaces, outside of our realm of perception as sounds not heard, sounds used in prayers. Sound is mathematical and logical, yet is the direct path to the realm of perception. Synesthetically sound has color and color has sound. Physically color is perceived through the optical and nerve system. In the language of light and color, spectrums and hues inhabit space, give objects their identity, enlighten our environment and represent enlightenment of the soul. 

Light and color represent nature in itself.  As Goethe proclaimed in his Theory of Colors; light owes its existence to the eye.  Referencing of course Newton’s scientific discoveries through the prism, where an object’s color was distinguished by the light of the sun through the prismatic. The ideas of perception in art can be related to Malevich’s essays on Suprematismin which he speaks about the non-objective system of elements through which sensations are expressed: the elements  of non-objective sensations are the beginnings of true essence. In the sphere of perceptive phenomena, non-objective essence is also it’s source, the absolute and pure. Perception of light, color, form, space and object are intertwined in Plato’s ideas where there arises the necessity of a soul with which we conceive knowledge by making judgments on perception gained through the sense organs.

Elements can be seen in light of mathematical and scientific space-time theories, we have elements as parts of a constancy and events. In sound, elements can be said to be parts of a composite wave form - it becomes a time element. Sound and light behave in a similar wave form language, Light is measured through temperature systems as in the Kelvin measurement system, existing as elements on a scale. Both sound and light operate as measurable and visible frequencies, scientifically disclosing the range within and without the audible and the visible, an echo of what can be observed in the nuanced color spectrums of the Aurora Borealis.

The verticals in Elements, define spatial relations and create a state of immersivity with colors blending into one another, merging and recreating new colors while simultaneously enveloping the body.  The verticality on our eye acts as signage, a post, a portal, arresting the eye by creating new space and defining our memory of space. By this definition we experience the light structure as either confining or liberating. Color embodies a psychology that effects our perceptive and cognitive system.  A verticality is experienced as an opening/uplifting and transformative sensation, representing the connection with a universe, while horizontal lines can remind us of the open landscape, the sea merging with the sun, perhaps internally experienced as a deep sleep or calming sensation. We are invited to experience the emotionally visceral and spectral physicality within multicolored verticals and mono colored horizon environment, touching the atoms of our being, resonating through vibrations of frequencies. The color compositions relate to sound compositions, in that one enters through a cool color space, gradually moving towards a multi colored crescendo. As the colors intensify in combination, the sensorial system is stimulated further, allowing us to be enveloped in color spectrums as a meditative and yet energetically charged process, As a time-experience installation, neon colors merge organically and seemingly expand over time, the nature of neon gas is organic and a transmitter of electrical currents, it is in continuous movement emitting abundance and perpetual absence of form, yet in fact exposing the opposite though creation of light and color as form. With its eternal presence, light represents the perceptual experience of the infinite and deepest elements of our shared humanity.

On Elements,

Anne Senstad, 2018

آنسنستاد

عناصر،٢٠١٨

عناصرهوعملتركيبيوتجريبي  منالضوء،والإدراك،والنظرياتحولظاهرتيالصوتوالمساحة،العملفنييتمحورحولقدرتهلدمجهللحواس. جميعالعناصرالحسيةلديهاخصائصعلميةوتجريبية متشابهة،ولكنهاتختلففيالطبيعةمنناحيةشغلهاللفراغوكيفيتمالإحساسبهاعبرالعين،والإذن،والدماغ،والعقل،والعواطف. الألوانمنهاباردة،ودافئة،ومظلمة،وفاتحة،ومبهجة،ورمزية،وممثلة؛كلغةنفسية،عاطفية،وحسية. يتواجدالضوء،واللون،والصوت كأوامرتنفيذيةلأنظمتناعلىمستوياتلانهائيةومجهولة. الصوتموجودكموسيقامعقدةاوبصريةوقدتحملفيطياتهاقصةتحكيها،أصواتتتواجدفيالفراغاتالمسكونةفيالبيئةوالمشحونةخارجنطاقاستيعابنا. تتواجدأصواتتبعدعننطاقإدراكنا،أصواتلمتسمع،هيأصواتتسمعفيالصلوات. الصوتمفهومرياضيومنطقي،ومعذلكهوالطريقالمباشرالىنطاقالإدراك. الصوتالاصطناعيلهلون،واللون  لهصوت. الصوتالمادييدركعبرالنظامينالعصبيوالبصري. الاطيافودرجات الألوانفيلغتيالضوءواللونيشغلانالفراغ،ويعطيانللأشياءهوياتها،وينيرانبيئتنا. 

الضوءواللونيمثلانالطبيعةنفسها. كماادعىغوتيهمنقبلفينظريتهللألوان،انالضوءيدينبوجودهللعين،مشيراًبالطبعالىاكتشافاتنيوتنالعلميةمنخلالالمنشورالزجاجيحيثتمتمييزألوانالأشياءباستخدامضوءالشمس. الأفكارالمتعلقةبالإدراكفيالفنمنالممكنانتربطبمقالاتماليفيتشعنالسوبرماتيةحيثتكلممنمنظورهاحولالنظاماللاعنصريللموادالذييتمالتعبيرعنهامنخلالالحواس. عناصرالحواسالتيلاشكللهاهيأساسالجوهرالحقيقيفيدائرةظاهرةالادراكالجوهرالذيلاشكللههوأيضاًالمصدرالخاصبه. ادراكالضوءواللونوالشكلوالفراغ،تتداخلفيأفكارأفلاطون،حيثتبنىفلسفتهحولوجودروحتحصدالمعرفةعبرإطلاقالأحكاممنخلالماتمادراكهمنقبلأعضائناالحسية. 

يمكنرؤيةالعناصرفيضوءنظرياترياضيةومكانيةعلمية،العناصرمتجزئةفيالتسلسلوالاستمرارية،العناصرفيالصوتيمكنانيقالعنهاانهااجزاءمنشكلموجيمضغوط،حيثتصبحعنصراًزمانياً. الصوتوالضوء يتصرفانفيشكلموجيلغويمشابه. يقاسالضوءعبرأنظمةدرجاتالحرارةكمافينظامكالڤنللقياس،حيثتوجدالعناصرعلىمقياس. يعملكلاًمنالصوتوالضوء عنطريقموجاتقابلةللقياسوالرؤيةممايتيحلنابطريقةعلميةمعرفةالمدىالداخلوالخراجفيالنطاقاتالمسموعةوالمرئيةكصدىيمكنملاحظتهفيالاختلافالطفيفبيناطيافألوانالشفق.

الخطوطالعاموديّةفي(عناصر) تعيدتعريفالعلاقاتالفراغيةوتكونحالةمنالاندماجبينالألوانوتعيدابتكارألوانجديدةبينماتغلفالجسدفينفسالوقت. الخطوطالرأسيةتعملعلىشكلتوقيع،منشور،ومنصة تأسرالعينعبرابتكارواعادة تعريفالمساحةلدينا. بهذهالطريقةيكونالمجسمامامحرراًاومفيداًلنا. اللونيمثلحالةنفسيةتؤثرعلىانظمتناالإدراكيةوالعقلية. الخطوطالرأسيةتمثلتجربةحسيةتغيريةممثلةلروابطهامعالكون. بينماالخطوطالأفقيةتذكرنابالأفقالمفتوححيثيندمجالبحرمعالشمسكنونعميقاواحساسيجلبالراحة. نحنمدعوونلتجربةطيفيةفراغيةمنخلالأفقذوخطوطعاموديةمتعددةالألوانوأفقية ذاتلونواحدملامسةلأساسوجودناومتماسكة منخلالذبذبةالموجات. تشكيلةالألوانمرتبطةبتشكيلةالأصواتحيثيدخلالمرءعبرمساحةمناللونالباردمتحركاًحولمعزوفةلونيةمتصاعدةيتمتحفيزالحواسأكثركلمازادتالحدةاللونيةللأعمدة. ممايمكننامنالانغماسفياطيافاللونكعمليةتأمليةمشحونةعاطفياً. العملتركيبييعتمدعلىالوقتألوانالنيونتختلطببعضهاوتتمدد علىما يبدوعبرمرورالوقتطبيعةغازالنيونعضويةوناقلةللتياراتالكهربائيةوهيفيحركةمستمرةمعطيةاحساسبالازديادوغيابالشكلبالرغممنانهافيالحقيقةتعرضالشيءالمعاكسمعطيةاشكالاًثابتهللضوءوالصوت. 

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Short version: On Elements, 2018

Anne Senstad examines the sensorial architecture and philosophies on perception through light, color and sound. Her immersive sculptural light installation 'Elements' defines space through topologies of vertical light, the phenomenon of color in relation to its nature, a non-objective space of frequencies, structuralities and elements.

Through the verticality of light and color, the vertical composition define spatial relations by creating immersivity of colors blending into one another, merging and recreating new colors. The verticality on our eye acts as signage, a post, barrier, arresting the eye by creating space and defining space. By this definition we experience the structure as limiting or liberating.

By placing a horizontal line throughout the space, it introduces an optical and spatial experience where we see the‫ ‬color combinations multiply, creating illusions of space and color as the colors merge with lines drawn of light seemingly floating in its immersivity.

With an eternal presence, light represents the perceptual experience of the infinite and deepest elements of our shared humanity‫.‬

Elements, 2018. Immersive sculptural neon light installation.The show continues until August 31, 2018

عناصر، ٢٠١٨، عمل آن سنستاد جزء من المعرض الجماعي " من خلال الطيف" ، أثر، جدة

‫تقوم آن بدراسة الجانب الحسي المعماري و الفلسفي للوعي من خلال الضوء، اللون، و الصوت. مجسمها الضوئي التركيبي "عناصر" يقوم بتحديد المساحة عن طريق استخدام اضواء عامودية، و الظواهر اللونية و علاقتها بالطبيعة، بالإضافة ‬

للمساحة غير الموضوعية من الترددات و التجسيد و العانصر.

الخطوط الرئيسية في "عناصر" تعيد تعريف العلاقات الفراغية و تكون حالة من الإندماج بين الألوان و تعيد ابتكار الوان جديدة بينما تغلف الجسد في نفس الوقت. الخطوط الراسية تعمل على شكل توقيع، منشور، و منصة تأسر العين عبر ابتكار و إعادة تعريف المساحة لدينا. بهذه الطريقة سيكون المجسم محرراً و مقيداً لنا.

عبر اضافةخط افقي على طول المساحة، يقدم العمل تجربة بصرية فراغية حيث ترى تشكيلات الألوان تندمج مع الخطوط المرسومة بإستخدام الضوء، محلقة جميعاً في انسجام.

عناصر، ٢٠١٨. عمل تركيبي ضوئي

يستمر المعرض حتى ٣١ اغسطس، ٢٠١٨

Installation views from Through The Spectrum - all photos are courtesy of Athr Gallery. Anne Senstad, Robert Irwin, Carlos Cruz-Diez, James Turrell, Leo Villarreal, Timo Nasseri and Nasser Al-Salem



Elements, Anne Senstad, 2018

 Aces & Eights, Robert Irwin, 2012-13

 Chromosaturation, Carlos Cruz-Diez, 1965-2018

Chromosaturation, Carlos Cruz-Diez, 1965-218

Allah, (he is the first and last 57:3), Nasser Al-Salem, 2018

 

Pelee, James Turrell, 2014

Florez - Bagdad, Timo Nasseri, 2016

A selection of visitor's images shared on social media interacting with the experiential immersivity of ELEMENTS - ATHR Gallery, Jeddah, Saudi Arabia.

Saudi Gazette June 2 2018

Saudi Gazette

Through The Spectrum - Athr Gallery

ATHR Gallery cordially invite you to the opening of: [Through The spectrum] A group show featuring installations by: Anne Senstad, Carlos Cruz-Diez, James Turrell, Leo Villareal, Nasser Al Salem, Robert Irwin and Timo Nasseri.

[Opening Remarks] an exhibition created for young and new collectors. And the second edition of [RAW Print] an event that highlights the work of independent artists, publishers, galleries and magazines that are leaders in the field of art publishing in Saudi Arabia. Monday, May 28 at 9:30pm

اثر يدعوكم لحضور افتتاح كلاً من: [من خلال الطيف] معرض جماعي يقدم اعمال تركيبية ل: احمد ماطر، آن سنستاد، كارلوس كروز دياز، جيمس توريل، ليو فياريال، ناصر السالم، روبرت اروين، تيمو ناصري.
.
[اوبينينج ريماركس] معرض معد خصيصاً للمقتنيين الصاعدين و المبتدئين. .
كما يقدم أيضاً النسخة الثانية من [معرض المطبوعات الفنية] حيث يعرض اعمال لفنانين و ناشرين و معارض و المجلات التي تعد رائدة في مجال النشر الفني في المملكة العربية السعودية.
كل ذلك يوم الإثنين، ٢٨ مايو، ٩:٣٠ مساءً في اثر جاليري، جدة.

Through The Spectrum exhibition is show casing Elements, 2018 by Anne Senstad @annesenstad . Opening Monday, May 28,2018 9:30 pm at Athr Gallery, Jeddah, SaudiArabia. 

Anne Senstad examines the sensorial architecture and philosophies on perception through light, color and sound. Her immersive sculptural light installation ELEMENTS defines space through topologies of vertical light, the phenomenon of color in relation to its nature, a non-objective space of frequencies, structuralities and elements. In dialogue with an enveloping color horizon, the vertical color spectrums create a sensorial materialization of an internal enlightenment inviting the public into the artwork itself as a meditative spatial experience. 

Elements, 2018

Immersive sculptural neon light installation.Scale variable.Neon tubes, polyurethane rods, transformers, attachments, electrical wires.

THROUGH THE SPECTRUM

The exhibition bases its foundation around Luminism and the relationship that the containment of light has between our environment and our engagement with it.

Renowned artists are showcasing seminal works, each treats light in a unique way allowing the viewer to immerse oneself into the light through variable formations and positioning. These installations of light are put together to exceed their material, thus allowing a flow of transcendent effects on the viewer, to steer and expand the human consciousness.

This experiential and interactive exhibition sets to subvert notions of light and space as we understand them, and the cross overs these may have in playing with our perceptions and psychology. All together are intended to explore the human visual perception, and how both light and color affect our emotions or change the way we feel within a space.

One artist creates a sensorial representation of unlimited possibilities of the imagination and of existence.  These representation are created out of chaos—the experience of infinity within us.

While other artists explore color theory and pushes the boundaries of light to divide and redefine space all the while blurring the lines between each hue and indeed our visual perception of it.

Whether the gradual adjustment of color around one room renders it unperceivable, or if one is met with the sheer starkness of color in the next, they all require the reliable rendering of the eye to distinguish the stability of the space and the accuracy of the color of the original environment.

What is experienced depends on their physical positioning within the space, coupled with their own psychological state and visual perception. The ephemeral nature of transitory light shifts the stability within our understanding of 3 dimensional space as we have grown to know it, allowing for a new perception of how we view our surrounding reality to be created.

Participating artists: Anne Senstad, Carlos Cruz-Diez, James Turrell, Leo Villareal, Nasser Al Salem, and Robert Irwin.

This exhibition is in collaboration with Cruz-Diez Art Foundation and Pace Gallery

ELEMENTS - ATHR Gallery

I'm thrilled to announce the opening of the exhibition THROUGH THE SPECTRUM - May 28th at 9.30 pm at ATHR Gallery in Jeddah, Saudi Arabia that runs through August 2018. The exhibition celebrates Ramadan with a thorough presentation of artists who focus on light, color, time and space through the experiential, immersivity and perception. THROUGH THE SPECTRUM presents Anne Senstad, James Turell, Robert Irwin, Carlos Cruz Diez, Leo Villareal, Nasser Al Salem and Timo Nasseri. 

As part of this groundbreaking exhibition and equisit selection of light and space artists, I will present a new immersive light and color sculptural installation entitled ELEMENTS. The installation defines space through topologies of vertical light, the phenomenon of color in relation to its nature, and structures of elements. In dialogue with an enveloping color horizon, the vertical color spectrums create a sensorial materialization of an internal enlightenment inviting the public into the artwork itself as a meditative spatial experience.

For further info on the exhibition, please contact info@athrart.com 

AIRMATTRESS GALLERY New York

Inaugural exhibition 2 D Or Not 2D 
Curated by Mark DeMuro. 

May 1 - June 1, 2018

Air Mattresss gallery
2350 Broadway
New York, NY 10024

Director: Mark DeMuro

By appointment: mark@markfineart.com

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Press and general inquiries: airmattressgallerynyc@gmail.com

Artists: Anne Senstad, Abdolreza Alminlari, Peter Coffin,  Kenny Curwood, Jane Fine, Mary-Ann Monforton, Maynard Monrow, Paul Pagk,  Rayberry, Lauren Seiden, Armando Vive and Ben Peterson.

From Other Worlds - The Yard, New York

Anne Senstad   From Other Worlds  Curated by Sarah Crown May 2 - July 21, 2018 Mon-Fri, 9.30 am - 5.30 pm and by appointment The Yard - Columbus Circle, 33 W 60th Street,  New York NY,  10023  The exhibition runs on the 2nd, 11th and 12th floors. Curatorial text: From Other Worlds   On my light and color installation work by curator Sarah Crown, published in Berlin Art Link: Light Writes Always in Plural FROM OTHER WORLDS From Other Worlds presents photographic works from two series Anne Senstad produced between 2013-2015, Universals Foldouts and Color Kinesthesia. By interweaving an elaborate amalgamation of an analogue and technological tapestry, her work examines the phenomena of light and color, space and volume; the narratives of perception and the processes within hybridization of elements. Color Kinesthesia derives from projections of color over time, into corners and structures, where the blending of one color into another, cause chromatic compositions in an impregnated space. The kinaesthetic colors continue to create new identities as Senstad photographs them onto color film negative, allowing for chemical reactions to take place on the celluloid level. These elements embedded in focused acts of seeing and observation carry across into the idea of solidifying the imagined space, where a series of sculptural works were born from her light and color installations; Universals. In Plato’s ideas of Universals, the objects are abstracts with characteristics of perception, much as in Malevich’s Suprematism. In Senstad’s foldouts of her Universals sculptures, she has deconstructed the very object she created, the map of her creation, and unfolded it to a recipe for re-assembly. As a silent witness to the final sculpture-potential, the shape contains collaged color film in the place of its original completion, a finality in itself, yet a dialogue between before and after. In her practice, Senstad delves deeply into the relationship between the senses, especially between the ocular, the science of color vision and the aural language. Engrained in the foundation of her work we find perception — how what we see, including the colors around us, shape how we feel. The stimuli are objective but the experiences are subjective, mirroring ourselves, our brains, and our psyches. Senstad’s work follows this complex investigation of what is physical versus what is psychological, and where these lines blur. It does so generously, unveiling atomic truths on both ends of the spectrum and at many points in between.

*

Soft Geometry - TRAFO KUNSTHALL

SOFT GEOMETRY / ANNE KATRINE SENSTAD


JANUARY 13 - FEBRUARY 25, 2018

TRAFO KUNSTHALL
LENSMANNSLIA 60
1386 ASKER, NORWAY

OPENING - JANUARY 13, 1-4 PM


“The sun, I presume you will say, not only furnishes to visibles the power of visibility but it also provides for their generation and growth and nurture though it is not itself generation.”
 
Plato, The Republic, Book. VI, Section 509 D


Anne Katrine Senstad's interdisciplinary practice has since the mid 90’s crossed photography, video, neon sculpture, immersive and site specific installations. Her work has throughout her career been focused on the phenomena of perception and the sensorial elements; light, color, sound with a consideration for color theory, science and technology. 
 
Neon light occupies space with a natural enveloping softness and emotive language inviting the viewer into subliminal ways of perceiving the object through the essence of light and color. Her multiple forms of light installations are ways of working with and understanding spatial relations in terms of the psychological space, by seeing, observing and controlling suggested perceptions of the sensorial elements.
 
In the neon sculpture series Soft Geometry, Senstad begins by transposing a space inhabited by light from her video projection installations Color Synesthesia I-VII, 2005 – 2015, (Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway). The space is then outlined as a potential object through line drawings based on Senstad’s cognitive interpretations. As the projected colors shift through hues over intervals of time, the form of the imagined object changes, from squares to triangles, where its own essence exists as pure potential, towards synthesis. These forms create illusions of space, mass and object. The light-line drawings she creates are flat, but illuminate space dimensionally through optical illusion. The origin of the geometric form is light, captured and impregnating a space, to navigate itself into suggesting solid form that becomes the Soft Geometry neon sculptures. 

New York based Norwegian artist Anne Katrine Senstad was educated at Parsons School of Design and The New School for Social Research in New York. Notable exhibitions include her controversial In Absentia exhibition Topologies for a Vertical Sound with composer C.C. Hennix - Displaced from the Void Rooms of Centro Culturale Don Orione Artigianelli during the 57th Venice Biennale, her solo show The Vanity of Vanities at El Magazen Dell’Arte during the 56th Venice Biennale,  and UNIVERSALS at Officina Delle Zattere, Collaterali Eventi 55th Venice Biennale. In 2015 she produced a 90 ft long text based LED sculpture commissioned by the Bruges Art and Architecture Triennale in Belgium entitled Gold Guides Me(Capitalism in the Public Realm). Public art commissions include with architecture firms Snøhetta, at The Wolfe Center for the Arts, Ohio and TWBT Architects, Penn State Engineering Building. Her work is represented in private, corporate and institutional collections.

Anne Katrine Senstad
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SOFT GEOMETRY
​

​Senstads mangefasetterte kunstnerskap har siden midten av 90 – tallet beveget seg mellom fotografi, video, installasjon og neonskulptur. Arbeidet hennes tar for seg fenomenologien ved persepsjon med en fokus på sanseopplevelser hvor hun vektlegger fargeteori og de okulære og soniske erfaringene.
Gjennom Senstads lysinstallasjoner finner vi en måte å arbeide på for å forstå romlighet med psykologi som bakteppe. Dette gjør hun ved å ved å observere og kontrollere sansninger av elementene. Neon fyller utstillingsrommet med et naturlig mykt lys, i et følelsesladet språk som lar betrakteren oppleve objektet gjennom lys og farge. I neonskulpturserien Soft Geometry tar Senstad utgangspunkt i en videoprojeksjon av verket Color Synesthesia VII som skaper et lysfylt, mettet rom bestående av bevegelige farger og lyd. Synesthesia er en tilstand hvor stimulering av et av sanseorganene leder til automatiske eller ufrivillige sansinger i en av de andre sansene. I dette åpne, fargelagte rommet plasserer Senstad det geometriske lysobjektet.
- Når de projiserte fargene skifter nyanser over tid, endres formen til det imaginære objektet fra firkanter til triangler, hvor essensen av hver form eksisterer som et potensiale til å forme en syntese. Vi har en optisk illusjon av rom, masse og objekt. Her er utgangspunktet for den geometriske formen, den fødes i lyset, betraktes og redefineres i Soft Geometry, forteller Senstad.

Anne Katrine Senstad (1967) er utdannet ved New School for Social Research, Parsons School of Design i New York og Berkeley University i California. Hun bor og arbeider i Oslo og New York. Hun har utført utsmykningsoppdrag for Snøhetta New York og Todd Williams/Billie Tsien architects. Tidligere utstillinger er bla Bruges Art and Architecture Trienniale, Veneziabiennalen i 2013, 2015 og 2017, Athr Gallery i Jeddah, Elga Wimmer Gallery, Bjørn Ressle Gallery og Gary Snyder Gallery i New York, Good Children Gallery og Prospect 1 i New Orleans, Bærum Kunsthall, Kunsthall 3,14, Utsikten Kunstsenter, K4 Galleri og Shoot Gallery. Hun er innkjøpt av Zendai MOMA og en rekke privatsamlere.