Friday, January 4, 2013

La Biennale di Venezia - UNIVERSALS



55th International Art Exhibition La Biennale di Venezia



The Metamorphoses of the Virtual – 100 years of art and freedom

Officina Delle Zattere

Supported by PNEK, Stiftelsen 3,14 and Utsikten Kunstsenter



Saturday, December 1, 2012

Galleri A
Vibesgt 13
0356 Oslo
www.galleri-a.no

A-Laget
Opening Thursday December 6th 2012 - Jan 13th 2013


Monday, August 20, 2012

WhiteBox, New York



Title: UNIVERSALS Foldout 2A9, 2012
Size 20x24 inches, Photographic C-Print



White Box, New York
Endless Summer
August 25th-30th 2012
curated by Jee Won Kim

Artists:
Hans Breder
Dennis Oppenheim
Anne Katrine Senstad
Clemes Weiss
Carl Skelton
Michele Ciacciofera
Wolfgang Staehle
Carol Szymanski

As part of the Beach Box Summer series 
Aug 15 - Sept 2 2012

Performances by Anthony Haden-Guest, ALIEN with Martha Colburn, Matt Sullivan + Kenny Croken, Ryder Cooley + Jasmine Dreame Wagner







Monday, June 4, 2012

Rencontres Internationales Berlin



Screening in Berlin July 3-8 at Haus Der Kulturen Der Welt:

Anne Katrine SENSTAD: The Locker Plant
Projections | exp. video | hdv | color | 00:08:21 |
Norway / USA | 2011
Score by JG Thirlwell



Wednesday, May 30, 2012

Public Art commission in collaboration with Snøhetta Artchitects NY featured in The PLAN Magazine April 2012


A Public Art Commission entitled ETERNAL by Anne Katrine Senstad was created for The Wolfe Center for the Arts at BGSU, Ohio, designed by Snøhetta Architechts NY.
In collaboration with OAC. Completed December 2011. The artwork consists of 39 photographic panels, plexiglas and aluminum.











Wednesday, May 23, 2012

Rencontres Internationales Madrid


Screening in Madrid May 23-26:

Anne Katrine SENSTAD: The Locker Plant
Projections | exp. video | hdv | color | 00:08:21 |
Norway / USA | 2011
Score by JG Thirlwell

Wednesday, May 9, 2012

Beirut Art Center - RENCONTRES INTERNATIONALES



Beirut Art Center, Lebanon
Screening Wednesday May 9 - 10pm
Anne Katrine SENSTAD: The Locker Plant Projections | exp. video | hdv | color | 00:08:21 
2011
Score by JG Thirlwell



Friday, May 4, 2012

Pink Bifurcations - An installation at Sian Ka'an, Mexico




PINK BIFURCATIONS - A documentation of a site specific installation by Anne Katrine Senstad in Sian Ka'an, Mexico - in collaboration with Gem & Bolt.
2.29 min ©AKS 2012



Monday, April 16, 2012

The Guarding of the Lamb


The Guarding of the Lamb 
By Anne Katrine Senstad
2012

8.17 min
Single channel DV
No Sound


Friday, April 13, 2012

Wednesday, February 15, 2012

SEEING OURSELVES at MuseCPMI - New York



Seeing Ourselves
Curated by KJ Baysa and Caitlin Hardy
MuseCPMI
850 Eighth Avenue
New York,  NY 10018


www.musecpmi.org


March 2 - April 14th 2012


Opening reception March 10th, 7-9 pm



Anne Katrine Senstad
Title: Organ of Ideality, 2012
Size: 12 x 12 x 16 inches
Edition: 1/1


The forehead is broad, with prominent organs of ideality
                                        Edgar Allen Poe, 1846 





The science of Phrenology was originally developed by the German physician Franz Joseph Gall in 1792, giving his scientific discoveries on localized regions of the cerebral cortex where the innate universal faculties resided, the title “Doctrine of the skull”. With his ideas of localization, Gall was the first person to create a theory of localized mental illness, that suggested that the mental  conditions could be localized in the brain.
The science of Phrenology and of the mind that Gall further developed explores the connection between the dimensions of the skull and personality characteristics organized into a systematic hierarchical classification system. By the 1830’s in America, Orson Squire Fowler developed practical Phrenology by opening the first Phrenology office at 135 Nassau Street in Manhattan where he and his assistants read heads, gave lectures and trained a fleet of bright eyed young Phrenologists.
In Victorian literary circles, writers were great fans of Phrenology and found phrenological language useful for describing personality or in dialogue. This Phrenological language can be found in the authorship of Walt Whitman, Edgar Allen Poe, Victor Hugo, Herman Melville and Charles Dickens to mention a few. By 1843 phrenology began to be referred to as pseudoscience.






Other artists in the exhibition:

Suzanne Anker, Deborah Aschheim, Stephen Auger, Christophe Bedaguer and Marie Pejus with Christophe Laudamiel and Christoph Hornetz,  Stefani Bardin and Toby Heys, Jonathan Beer, Nancy Burson, Naomi Campbell, caraballo-farman, Joyce Cutler-Shaw, Scott Draves, Simon Drouin, Greg Dunn, Laura Ferguson, Angela Freiberger, Pablo Garcia, Sarah Elise Hall, Hugh Hayden, Pinkney Herbert, Nene Humphrey, Elizabeth Jameson, Sophie Kahn, Andrea Kantrowitz, Mark Kessell, Adrienne Klein, Bodo Korsig, Lilla LoCurto and Bill Outcault, Marcos Lutyens, Kate MacDowell, Michael Madore, Daniel Margulies and Chris Sharp, Patrick Martinez, Saul Melman, Igor Molochevski, Gayil Nalls, Natsu, Francesca Samsel, Anne Katrine Senstad, Jason Snyder, Max Steiner, Satre Stuelke, Visual MD, Claire Watkins, David Webster, Heron Werner MD with Professors Jorge Lopes dos Santos and Ricardo Fontes, Graham Wiggins, Virgil Wong with Jessica Lacson and Akshay Kapur